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Victimization of Women
M.K Bhavnagar University
Department of English
Sem-1
Name: Hema Goswami
Roll no. : 15
Enrollment no. :2069108420180020
Course 4: Indian Writing in English
Introduction
Violence against women is always
remains the current topic for over the centuries. In every field including
school, civic work, and in public places women has been victimized. It is found
that harassment is more frequent in workplace setting than any other field.
Victimization is critical and its
histories are disturbingly common among women (department of psychiatery, 1999). Victimization is
both psychological and physical. History should not be overlooked in any
person, including severely mentally ill, homeless, disabled, or elderly women.
We have seen many women who never
raised their voice against the violence or sufferings. Marilyn
Manson quotes
that:-
“we live in a society of victimization, where people are much more
comfortable being victimized than actually standing up for themselves,”
History of the word
The word victimization comes from
‘victim’. A victim is a person who suffers directly or threatened physical,
emotional or financial harm by someone else. It is a crime in society. Normally
this crime was done by man over woman.
Victimization is the process of being
victimized or becoming a victim (wikipedia the free encylopedia). Victims or abuse
and manipulation often get trapped into self image of victimization. The
psychological profile of victimization includes a pervasive sense of
helplessness, passivity, loss of control, pessimism, negative thinking, strong
feelings of guilt, shame, self-blame and depression. The way leads to
hopelessness and despair into the mind of the person.
Victimization in India
In India women also feels less safe (Judge, 2015). Most of all sex
became the current issue of feeling unsafe. It is more or less than a conscious
process of criminal intimidation by which a man keeps a woman in a state of
fear. Therefore an act that exploits or victimizes someone is known as
‘Victimization’. The unfortunate person who suffers from this type of adverse
situation is a ‘victim’. There is always a large number of female
victimization, if a woman who is tricked or swindled, she is a victim.
It is difficult to know the extent of
actual female victimization in several parts of India. It is connected with
ragging, rape, cruelty, and witchcraft. The case of victimization was increase
day by day and the reason was that female never reported their case to the
police. Only few cases are there about which the police knew and they directly
send their case to media.
Thorsten Sellin very minutely point
out that:-
“Crime arising from primary cultural
conflict occurs when a colonial power extends her legal system to her colonial
territories. When this happens, traditional practices which are in conflict
with the criminal code of the colonial power are made by the illegal by the
colonial government.”
Victims of rape, assault, child
sexual abuse, drunk driving and domestic violence, as well as the families of
homicide victims, are all eligible to apply for financial help. Compensation
will always provided to such victimized women but still they remain
unaware of the facilities provided to
them. Compensation is for economically Assesable damage resulting from
violations of human rights or international humanitarian law, such as:-
a) Physical or mental harm, including
pain, suffering and emotional distress
b)Lost opportunities including education
c) Material damages and loss of earnings, including loss of earning
potential.
d) Harm to reputation or dignity
e) Cost required for legal or expert assistance, medicines and medical
services.
Section 2 of the Code of Criminal
Procedure defines the word ‘Victim’. It stated that “victim” means a person who
has suffered any loss or injury caused by a reason of the act or omission for
which an accused person has been charged and the expression “victim” includes
his or her guardian or legal heir.
Basic Help
As already discuss above that a
victim is an unfortunate person who suffers from adverse circumstances and
hence there must be financial help for the victims especially for the women
victims of rape, assault, child sexual abuse, domestic violence as well as the
families of homicide victims. There is not any delay in payment of the
compensation to the victim. Special legal literary camps should be done every
month to create awareness of Victim compensation. Even if the offender was not
identified, but the victim will always identified. The victim or her dependents
may make an application to the State or the District Legal Services Authority
for award of compensation, when there is no trial takes place. It is the
obligation of court to offer free, confidential, practical, emotional and
financial support to victims of crime. Specialist services for the victims of
crime should to established at local, and national level to help the victims of
domestic violence, sexual violence, exploitation, anti-social behavior or hate crime.
Female Victimization in Fakeer of Jungheera by
Henry Louis Vivian Derozio
The Fakeer of Jungheera is the
masterpiece of Henry Louis Vivian Derozio (bachchan, 2002). There are many
themes in this long epic poem:-
1. Patriotism
2. Love
3. Nature
4. Death
5. Inhuman practice of sati
The last one is the central theme of
the poem. In the contemporary orthodox Indian society, this rotten system had
been in vogue and thereby Derozio protested the ‘Sati’ system in social life.
He also teaches about this rotten system in his classroom at the Hindu college,
Calcutta. The main purpose of writing this poem is only to highlight the issue
of ‘Sati Pratha’.
Derozio very minutely describes every
theme of the poem, of various aspects of natural scenary, the evils of society,
the force of the passion of love which leads to confrontations at different
levels. In the very first startling scene Fakeer, the lover of the victimized
Nuleeni rescues her from the funeral pyre, and later Nuleeni’s relatives try to
rescue her from Fakeer with the help of Mughal army. In this process a fierce
battle goes on. The Fakeer fight a lot with all his courage but still he was
defeated by the great army because he was only the one to fight against the big
army of Nuleeni’s relatives. The Fakeer was ultimately killed in the battle
field. Nuleeni cant leave without him and joins him and dies in his embrace. At
last the soul of two star-crossed lover departs from this mundane world.
The character of Nuleeni
The widow Nuleeni comes out from a
speed caste Magadhan Religionist tribe. Her fair and beautiful face brightens
the dark social setting of the poem. Nuleeni was married to a typical hindu
Brahmin man, but she never loved him in her lifetime, she only loved to her
beloved Fakeer. When her husband was died, she was taken to the funeral pyre
for being Sati. In the day of Henry Derozio, Indian subcontinent was caught by
many evils like ‘Sati Pratha’, killing girl child by boiling the still born
baby in the hot pot of milk etc. (urvi, 2013)
Nuleeni belongs to a conservative
Indian society. She is very innocent, pure and beautiful. She doesn’t want to
end her life behind a person whom she never loved. At the spot of cremation
Nuleeni was bought up by several women and they were singing songs praising
sati. Soon Nulleni was escaped of being Sati by the Fakeer to his cave at
Jungheera hills. Nuleeni escaped death but she starts a life of forbidden love
though frightened by violent social norms. She has a strong belief that her
love will definitely makes them victorious, but her hope was of very little age
which died soon.
Nuleeni and Fakeer took the risk to
escape and elope, rejecting the social order. The upper class family of Nuleeni
never tolerate such insult.
Love, as says the epigraph, is not an object
of merchandize, and nothing can be given away in exchange for the heart. The
world has no means to buy the store of hopes and feelings. Both these are
linked for over with woman’s soul. The Fakeer’s character was not fully
developed in the poem therefore the central character in it is Nuleeni not
Fakeer. Although the Fakeer has, at one point, been called ‘the holy man’ and
‘a sainted soul, a meek Fakeer. The Fakeer enjoys the bliss of Nuleeni’s love
and makes a clean burst of himself:
“No more to Mecca’s hallowed shrine
Shall wafted be a prayer of mine
No more shall dusky twilight’s ear
From me a cry complaining hear’
Henceforth I turn my willing knee
From Alla, Prophet, heaven, to thee.”
Sati Pratha- evil of society
Sati is a practice among Hindu
communities where a recently widowed woman, either voluntarily or by force,
immolates herself on her deceased husband’s pyre (The abolished 'Sati Pratha',
2015).
Sati also interpreted as a ‘chaste woman’ or a ‘good and devoted wife’. There
has been many instances of how the widows were shunned in India and therefore,
the only solution for a life without husband was to practice Sati as it was
considered to be the highest expression of wifely devotion to a dead husband.
History of Sati
The name ‘Sati’ was derived from the
old Hindu mythological Goddess Sati who
burns herself because she was unable to bear her father Daksha’s humiliation
towards her husband Shiva.
It was regarded as the barbaric
practice by the Islamic rulers of the Mughal period. Humayun the Mughal emperor
was the first who try a royal agreement against the practice in 16th
century. And later on his son Akbar was next to issue official orders
prohibiting Sati. He also issued orders that no woman could commit Sati without
a specific permission from his chief police officers. Later on with the passage
of time many Hindu Scholars have argued against Sati. But this evil practice
still occurs today in some parts of India and is still regarded by some as the
ultimate form of womanly devotion and sacrifice.
Process of Nuleeni being Sati
The young
Hindu widow Nuleeni becomes an object of adoration for the outlawed
Fakeer. Nuleeni stands at the funeral pyre of her husband ‘like a blessed child
of light’. The chorus of women describe the splendor of the heaven which she is
to inherit:
“Happy; thrice happy; thus early to leave
Earth and its sorrows, for heaven and its bliss;
The chorus of Brahmins comes out with
hymn in praise of the bliss that Sati is entitled to get in the other world.
The chief Brahmin praises the Sati as being ‘robed with immortality’. Derozio’s
descriptions of Nuleeni standing by the funeral pyre of her husband is critical
of the practice of sati and of religious orthodoxy. Nuleeni ha sbeen described
as a ‘lonely within’ and ‘a pale flower beside the funeral pile’. Her beauty is
created perfect by ‘Eternal hand’. ‘Within her suffering bosom’ lie ‘wild
thoughts’. Derozio repeatedly emphasizes the sufferings in Nuleeni’s mind and
says that ‘Her softened glance reveals the suffering mind’. Nuleeni was in
fact, not ready to immolate herself for mere religion’s sake and is looking for
someone to come to her rescue:
“Nuleeni’s eyes is not upon the dead’
To one after her parting thoughts have fled”
A close observation may very well
reveal that in her ‘grief for the dead was wanting’. Nuleeni seems to be ‘bowed
to the earth with misery’. Upon the lighted funeral pyre she seems to sing her
‘swan song’. As Nuleeni’s ‘link of being chain’ is to be snapped, a hawk- like
attack by the Fakeer rescues her from the ignoble atmosphere, and she is rowed
away to the rock island to live in happiness with her former lover, now an
outlawed Fakeer.
Conclusion
Love is dominating motif in ‘The
Fakeer of Jungheera’ and the poet associates religious images to reveal the
sentiment of love. In this way in our society where still backward thinkers
living, push forward the evil system for torturing women, and victimized women
becomes helpless in the hand of these orthodox people. Many of the wrongs that
are done to women have been encouraged by superstitions. The birth of a girl
child is considered unfortunate. Girls are still not educated in many parts of
our country.
Women are treated as domestic labour
and have no financial or decision making rights. The custom of Sati which is
described in the poem was practiced in our country. Women are always victimized
everywhere, inside or outside. They are not safe in home too, so outside their
situation always remain awful.
Bibliography
bachchan, a. k. (2002). H.L.V. Derozio's the Fakeer
of Jungheera': A study in the Narrative art. In A. n. prasad, Indian
writing in english:critical exploration (p. 288). sarup & sons.
department of
psychiatery. (1999, december 22). pubmed.gov. Retrieved from
www.ncbi.nlm.nih.gov: http://www.ncbi.nlm.nih.gov/pubmed/10623976
Judge, Y. S. (2015,
september 6). Female Victimization In India: Recent Trends in Judiciary. Articles
on Law .
The abolished 'Sati
Pratha'. (2015). indiaToday.in .
urvi, b. (2013,
october 14). blogspot. Retrieved from blogspot.in:
bhatturvi1315.blogspot.in/2013/10/fakeer-of-jungheera.html
wikipedia the free
encylopedia. (n.d.). wikipedia the free encyclopedia. Retrieved august
26, 2017, from en.wikipedia.org: http://en.wikipedia.org/wiki/Victimisation
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